In conversation with Phillip Drummond, Malcolm Le Grice talks about his introduction to filmmaking through painting and music. He demonstrates his early concern with the political nature of film form and its relation to the spectator. He discusses his consequent rejection of narrative and his decision to undermine the priority of the film image in film-performance pieces.

• Mots clés
  film, monografie, beeld- en/of geluidsdrager
• Mot clé géographique
  Engeland (GB)
• Mot clé de personne
  Malcolm Le Grice