Axiell Internet Server 5

Internet Server 5

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Person/institution: Ahearn, John

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74th Amercan Exhibition

1982

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The American dream : Amerikaans realisme 1945 -2017

Tupan, Harry; Hellhammer, Anja

2017

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Ansatzpunkte kritischer Kunst heute

Jochimsen, Margarethe

1983

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Back to the USA : Amerikanischer Kunst der Siebziger und Achtziger

Honnef, Klaus

1983

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Bad thoughts : Collectie Martijn en Jeannette Sanders = Collection Martijn and Jeannette Sanders [Knipselmap tentoonstelling Stedelijk Museum Amsterdam 2014]

2014

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Bad thoughts : Collectie Martijn en Jeannette Sanders = Collection Martijn and Jeannette Sanders [tentoonstelling Stedelijk Museum Amsterdam 2014]

Nieuwenhuyzen, Martijn van; Bracht, Marie-Claire van; Ruf, Beatrix

2014

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Beelden 1983 = Sculpture 1983

Geer, Cees van der; Oosterhof, Gosse

1983

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Beelden in Rotterdam

Adrichem, Jan van; Bouwhuis, Jelle

2002

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Brand New York : urban kisses

1982

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Carnegie International 1985

Lane, John R.; Caldwell, John

1985

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Champions

1983

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Devil on the stairs : looking back on the eighties

Storr, Robert; Tannenbaum, Judith E.

1991

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Face it : 10 contemporary artists

Olander, William; Frueh, Joanna

1983

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Figures : forms and expressions

1981

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From beyond the pale : art and artists at the edge of consensus

1994

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- Bøger

74th Amercan Exhibition

The American dream : Amerikaans realisme 1945 -2017

Ansatzpunkte kritischer Kunst heute

Back to the USA : Amerikanischer Kunst der Siebziger und Achtziger

Bad thoughts : Collectie Martijn en Jeannette Sanders = Collection Martijn and Jeannette Sanders [Knipselmap tentoonstelling Stedelijk Museum Amsterdam 2014]

Bad thoughts : Collectie Martijn en Jeannette Sanders = Collection Martijn and Jeannette Sanders [tentoonstelling Stedelijk Museum Amsterdam 2014]

Beelden 1983 = Sculpture 1983

Beelden in Rotterdam

Brand New York : urban kisses

Carnegie International 1985

Champions

Devil on the stairs : looking back on the eighties

Face it : 10 contemporary artists

Figures : forms and expressions

From beyond the pale : art and artists at the edge of consensus